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TOM FRANCIS
REGRETS THIS ALREADY

Hello! I'm Tom. I'm a game designer, writer, and programmer on Gunpoint, Heat Signature, and Tactical Breach Wizards. Here's some more info on all the games I've worked on, here are the videos I make on YouTube, and here are two short stories I wrote for the Machine of Death collections.

Theme

By me. Uses Adaptive Images by Matt Wilcox.

Tom’s Timer 5

The Bone Queen And The Frost Bishop: Playtesting Scavenger Chess In Plasticine

Gridcannon: A Single Player Game With Regular Playing Cards

Dad And The Egg Controller

A Leftfield Solution To An XCOM Disaster

Rewarding Creative Play Styles In Hitman

Postcards From Far Cry Primal

Solving XCOM’s Snowball Problem

Kill Zone And Bladestorm

An Idea For More Flexible Indie Game Awards

What Works And Why: Multiple Routes In Deus Ex

Naming Drugs Honestly In Big Pharma

Writing vs Programming

Let Me Show You How To Make A Game

What Works And Why: Nonlinear Storytelling In Her Story

What Works And Why: Invisible Inc

Our Super Game Jam Episode Is Out

What Works And Why: Sauron’s Army

Showing Heat Signature At Fantastic Arcade And EGX

What I’m Working On And What I’ve Done

The Formula For An Episode Of Murder, She Wrote

Improving Heat Signature’s Randomly Generated Ships, Inside And Out

Raising An Army Of Flying Dogs In The Magic Circle

Floating Point Is Out! And Free! On Steam! Watch A Trailer!

Drawing With Gravity In Floating Point

What’s Your Fault?

The Randomised Tactical Elegance Of Hoplite

Here I Am Being Interviewed By Steve Gaynor For Tone Control

A Story Of Heroism In Alien Swarm

One Desperate Battle In FTL

To Hell And Back In Spelunky

Gunpoint Development Breakdown

My Short Story For The Second Machine Of Death Collection

Not Being An Asshole In An Argument

Playing Skyrim With Nothing But Illusion

How Mainstream Games Butchered Themselves, And Why It’s My Fault

A Short Script For An Animated 60s Heist Movie

Arguing On The Internet

Shopstorm, A Spelunky Story

Why Are Stealth Games Cool?

The Suspicious Developments manifesto

GDC Talk: How To Explain Your Game To An Asshole

Listening To Your Sound Effects For Gunpoint

Understanding Your Brain

What Makes Games Good

A Story Of Plane Seats And Class

Deckard: Blade Runner, Moron

Avoiding Suspicion At The US Embassy

An Idea For A Better Open World Game

A Different Way To Level Up

A Different Idea For Ending BioShock

My Script For A Team Fortress 2 Short About The Spy

Team Fortress 2 Unlockable Weapon Ideas

Don’t Make Me Play Football Manager

EVE’s Assassins And The Kill That Shocked A Galaxy

My Galactic Civilizations 2 War Diary

I Played Through Episode Two Holding A Goddamn Gnome

My Short Story For The Machine Of Death Collection

Blood Money And Sex

A Woman’s Life In Search Queries

First Night, Second Life

SWAT 4: The Movie Script

Badlands

build

Playing Team Fortress 2 at the moment is starting to feel like being part of something. We play it in the office at lunch. Chris Livingston’s making a comic in it. We settle our grudges against the US edition of PC Gamer with it. Yahtzee’s making bad Garry’s Mod machinima in it. The other day a level designer at Ubisoft Montreal mailed me an incredible map of a film set he’d made for it. And when the update adding Badlands, the first proper new map, was due to go live, everyone hung out at the Steam forums making tenuous “X sappin’ mah Y” jokes until it was released.

stealth

Badlands is good. I can’t help thinking it would have made more sense to go with this instead of Granary for the initial release, given how similar Granary and Well are. Granary’s become problematic on public servers because so few people are willing to play defense, and the straightforward layout makes it incredibly easy to win quickly once the middle capture point is yours. Badlands staves off rush-wins like this by making the second-to-last cap a) time-consuming to get to and b) easy to defend.

Which is good. So far it’s lead to a lot more back-and-forth than either Granary or Well had, and those are my favourite matches. Even if we win, I hate a trouncing. But like all symmetrical control-point maps, the final point is so wide-open and absurdly fast to capture that it might as well not exist.

spengy

I assume that if you make the final point tactically biased towards defenders, you get a lot of stalemates. But I don’t see why you can’t make it slow to capture shortly after the second-to-last point falls, then become gradually less resistant to capture the longer the pushing team manage to hold the defenders back to their last point. Stalemates would be just as unlikely, but rush-wins would become much trickier.

killed

I think the reason this type of map gets a lot of flak on the forums, while Dustbowl and Gravelpit seem generally well-liked, is that defeat has long felt inevitable by the time it comes. On Dustbowl, you always feel like you can hold it for that much longer. You always feel like you can cap it in the time you have left. Victory is as close to your grasp as defeat.

On symmetrical capture-point maps, I’m always in a “Oh fuck it, we’ve lost this” mindset long before we actually do. Comebacks aren’t impossible, but they’re both daunting and improbable. When defeat is close, victory is way, way over there. If we’ve sucked this hard so far, what chance to we have of making it now?

gut

The good news is that Goldrush, the map that’ll introduce the new Payload game mode soon, falls firmly in the former category. In fact, it makes that knife-edge between a win and a loss all the more tangible, because you can see how close that damn cart is to the objective. That’s one less level of abstraction than looking at a coloured icon or countdown clock.

And more importantly, the gradual roll-out of unlockable items for every class is going to make the game even more like being part of something. The simultaneous worldwide release of exciting stuff is one of the great pleasures of Steam, a shared moment that fuses the community together. And here’s a way for them to be doing that regularly, for years.

hatjump

I apologise, but only a little, for talking about Team Fortress 2 so much. If you’re a gamer, I can only say that it’s like when Deus Ex had just come out. If you’re not, it’s like being a film buff at the time of The Godfather. But it’s not really like either, and that’s kind of the point.

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