Hello! I'm Tom. I'm a game designer, writer, and programmer on Gunpoint, Heat Signature, and Tactical Breach Wizards. Here's some more info on all the games I've worked on, here are the videos I make on YouTube, and here are two short stories I wrote for the Machine of Death collections.
By me. Uses Adaptive Images by Matt Wilcox.
Dealing with the categories for this mini-redesign, I realised I hadn’t mentioned television in ages. Here’s a quick round-up of things you’re mostly probably not watching and mostly probably shouldn’t be.
Lost: Season one: I like everything about this show except Jack.
Season two: I like everything about this show except Jack and Kate.
Season three: I like everything about this show except Jack, Kate and Sawyer.
Season four: I like everything about this show except Jack, Kate, Sawyer and Ben.
Season five: I like everything about this show except Jack, Kate, Sawyer, Ben, Locke, Sun, Juliet, Charlotte and the plot.
Damages: Something about the style, tone and performances is still gripping, but every part of the plot this season is inferior. The main one’s a really tired cliché, Timothy Olyphant’s feels arbitrary and improbable, and the callback to the last season hinges on someone we saw shot still being alive – don’t ever, ever do that.
24: These tropes are still fun no matter how many times they’re repeated. Jack having to achieve the impossible in service of the terrorists is a classic. I notice Fake Hillary Clinton is the first president of 24-land to act in any way presidential – the others seemed to think their advisors outranked them.
The Fringe: This ought to be trashy fun, but something about it really doesn’t work. I think it’s that it takes itself so goddamn seriously, and the lead actress, while talented, is so scowlingly concerned that she sucks the joy from the surrounding nonsense.
Lie To Me: Smug but entertaining. Tim Roth as a human lie-detector. The science is both more convincing and interesting than guff like CSI, and more relevant than the hilarious nonsense of Numbers, but of course still wildly exaggerated. The decision to back up some of their claims with quick flashes of famously ashamed, guilty or angry people showing shame, anger or guilt is a great trick.
Flight of the Conchords: Caught bits of this a few times when jetlagged in the States and it never clicked, but this new series has just been sublime. The Conchords are a real band and a fictional one, and this is a mockumentary made by the real one about the fictional one, with the story of their bad, meek indie performances sometimes told via the medium of their smart, genre-hopping real songs. This is their manly answer to the Black Eyed Peas’ famously dismal My Humps: