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TOM FRANCIS
REGRETS THIS ALREADY

Hello! I'm Tom. I'm a game designer, writer, and programmer on Gunpoint, Heat Signature, and Tactical Breach Wizards. Here's some more info on all the games I've worked on, here are the videos I make on YouTube, and here are two short stories I wrote for the Machine of Death collections.

Theme

By me. Uses Adaptive Images by Matt Wilcox.

Tom’s Timer 5

The Bone Queen And The Frost Bishop: Playtesting Scavenger Chess In Plasticine

Gridcannon: A Single Player Game With Regular Playing Cards

Dad And The Egg Controller

A Leftfield Solution To An XCOM Disaster

Rewarding Creative Play Styles In Hitman

Postcards From Far Cry Primal

Solving XCOM’s Snowball Problem

Kill Zone And Bladestorm

An Idea For More Flexible Indie Game Awards

What Works And Why: Multiple Routes In Deus Ex

Naming Drugs Honestly In Big Pharma

Writing vs Programming

Let Me Show You How To Make A Game

What Works And Why: Nonlinear Storytelling In Her Story

What Works And Why: Invisible Inc

Our Super Game Jam Episode Is Out

What Works And Why: Sauron’s Army

Showing Heat Signature At Fantastic Arcade And EGX

What I’m Working On And What I’ve Done

The Formula For An Episode Of Murder, She Wrote

Improving Heat Signature’s Randomly Generated Ships, Inside And Out

Raising An Army Of Flying Dogs In The Magic Circle

Floating Point Is Out! And Free! On Steam! Watch A Trailer!

Drawing With Gravity In Floating Point

What’s Your Fault?

The Randomised Tactical Elegance Of Hoplite

Here I Am Being Interviewed By Steve Gaynor For Tone Control

A Story Of Heroism In Alien Swarm

One Desperate Battle In FTL

To Hell And Back In Spelunky

Gunpoint Development Breakdown

My Short Story For The Second Machine Of Death Collection

Not Being An Asshole In An Argument

Playing Skyrim With Nothing But Illusion

How Mainstream Games Butchered Themselves, And Why It’s My Fault

A Short Script For An Animated 60s Heist Movie

Arguing On The Internet

Shopstorm, A Spelunky Story

Why Are Stealth Games Cool?

The Suspicious Developments manifesto

GDC Talk: How To Explain Your Game To An Asshole

Listening To Your Sound Effects For Gunpoint

Understanding Your Brain

What Makes Games Good

A Story Of Plane Seats And Class

Deckard: Blade Runner, Moron

Avoiding Suspicion At The US Embassy

An Idea For A Better Open World Game

A Different Way To Level Up

A Different Idea For Ending BioShock

My Script For A Team Fortress 2 Short About The Spy

Team Fortress 2 Unlockable Weapon Ideas

Don’t Make Me Play Football Manager

EVE’s Assassins And The Kill That Shocked A Galaxy

My Galactic Civilizations 2 War Diary

I Played Through Episode Two Holding A Goddamn Gnome

My Short Story For The Machine Of Death Collection

Blood Money And Sex

A Woman’s Life In Search Queries

First Night, Second Life

SWAT 4: The Movie Script

StarCraft 2: Single-Player

For about four years, everyone’s been scrambling to reinvent the RTS. Blizzard seemed like the only company sticking with the traditional mine-resources, build-buildings, mass-units structure – presumably because they didn’t dare undermine the professional scene that sprung up around the first StarCraft.

So they siphoned all their thick, sticky innovation into the single-player for StarCraft 2, where they can stick with the old high-level rules but make more interesting missions out of them.

In fact, they got a bit carried away. I’m used to high-budget strategy games giving me a lot of special-case missions, but StarCraft 2 never stops. I spent half the game waiting for a “Make a base, go kill theirs” mission that never came. Literally every single one is a custom showcase for one particular unit, an unusual objective, a pre-built base, no base at all, or revolves around a new rule they have to teach you on the fly.

Train sigh

At the risk of sounding like a tiny child, I don’t like it. I like to make my own bases. I like to choose the units I like, rather than have a whole mission structured to force me to appreciate one the game wants me to use. And I don’t like new rules.

Scripting a mission around a unique scenario always involves a degree of Bullshit: Bullshit you couldn’t have seen coming, Bullshit you’re forced to do, Bullshit to stop you taking shortcuts or being clever. Blizzard are so good, so big, rich and talented, that they’re able to avoid almost all the Bullshit that scripting causes on one, maybe two missions. The rest of the time, I’m punished for doing my own thing so much that I eventually learn to just play the way the mission designer wants me to. Use the unit he tells me to. Click what he tells me to click. It works, but it’s basically a waste of my time.

The zombie-frying mission is the one I’m thinking of as an example of pretty much Bullshit-free scripting. It does dictate certain aspects of the way you play, but the New Rule is easy to grasp and has a certain intuitive logic to it. And you can build whatever works for you: any effective army is effective here. Accordingly, it’s fun.

Zombie Night

The other one I liked was the optional mission where you play as a female Ghost, separated from but supporting a larger army. Plenty of Bullshit, but the way it turned existing RTS mechanics into puzzle logic was interesting, and the mind-control ability has so many great applications. I’ve heard the alternative mission, with Utter Tosh, is good too, but his abilities seemed less exciting to me and I didn’t get anywhere with it.

I’m also a fan of the research system between missions, and the ability to postpone some missions for ages. But both are pretty minor bonuses. Two good missions, among thirty, isn’t enough to make me want to sit through the embarrassing cutscenes.

Cutscenes

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