All posts

Games

Game development

Stories

Happiness

Personal

Music

TV

Film

TOM FRANCIS
REGRETS THIS ALREADY

Hello! I'm Tom. I'm a game designer, writer, and programmer on Gunpoint, Heat Signature, and Tactical Breach Wizards. Here's some more info on all the games I've worked on, here are the videos I make on YouTube, and here are two short stories I wrote for the Machine of Death collections.

Theme

By me. Uses Adaptive Images by Matt Wilcox.

Tom’s Timer 5

The Bone Queen And The Frost Bishop: Playtesting Scavenger Chess In Plasticine

Gridcannon: A Single Player Game With Regular Playing Cards

Dad And The Egg Controller

A Leftfield Solution To An XCOM Disaster

Rewarding Creative Play Styles In Hitman

Postcards From Far Cry Primal

Solving XCOM’s Snowball Problem

Kill Zone And Bladestorm

An Idea For More Flexible Indie Game Awards

What Works And Why: Multiple Routes In Deus Ex

Naming Drugs Honestly In Big Pharma

Writing vs Programming

Let Me Show You How To Make A Game

What Works And Why: Nonlinear Storytelling In Her Story

What Works And Why: Invisible Inc

Our Super Game Jam Episode Is Out

What Works And Why: Sauron’s Army

Showing Heat Signature At Fantastic Arcade And EGX

What I’m Working On And What I’ve Done

The Formula For An Episode Of Murder, She Wrote

Improving Heat Signature’s Randomly Generated Ships, Inside And Out

Raising An Army Of Flying Dogs In The Magic Circle

Floating Point Is Out! And Free! On Steam! Watch A Trailer!

Drawing With Gravity In Floating Point

What’s Your Fault?

The Randomised Tactical Elegance Of Hoplite

Here I Am Being Interviewed By Steve Gaynor For Tone Control

A Story Of Heroism In Alien Swarm

One Desperate Battle In FTL

To Hell And Back In Spelunky

Gunpoint Development Breakdown

My Short Story For The Second Machine Of Death Collection

Not Being An Asshole In An Argument

Playing Skyrim With Nothing But Illusion

How Mainstream Games Butchered Themselves, And Why It’s My Fault

A Short Script For An Animated 60s Heist Movie

Arguing On The Internet

Shopstorm, A Spelunky Story

Why Are Stealth Games Cool?

The Suspicious Developments manifesto

GDC Talk: How To Explain Your Game To An Asshole

Listening To Your Sound Effects For Gunpoint

Understanding Your Brain

What Makes Games Good

A Story Of Plane Seats And Class

Deckard: Blade Runner, Moron

Avoiding Suspicion At The US Embassy

An Idea For A Better Open World Game

A Different Way To Level Up

A Different Idea For Ending BioShock

My Script For A Team Fortress 2 Short About The Spy

Team Fortress 2 Unlockable Weapon Ideas

Don’t Make Me Play Football Manager

EVE’s Assassins And The Kill That Shocked A Galaxy

My Galactic Civilizations 2 War Diary

I Played Through Episode Two Holding A Goddamn Gnome

My Short Story For The Machine Of Death Collection

Blood Money And Sex

A Woman’s Life In Search Queries

First Night, Second Life

SWAT 4: The Movie Script

I Eat What I Slaughter

3374556

Hot Chip, who sound like a fifties phrase for expressing pleasure at your current situation, are kind of exciting. I’m listening to a song from their latest right now, one I’ve listened to maybe five times before, and I just caught myself flicking through my Firefox tabs to see if one was auto-playing something else underneath because it sounds so completely unhinged.

Oh wait, actually one of them was: I forgot I fired up Last.fm to see if this same track was on there in full, and it is. Every post a rollercoaster!

The best I can do for a genre is glitch pop – it’s bouncy and infectious, but frequently revolves around some catastrophic audio error that ought to grate but doesn’t. This track, Shake A Fist, just outright breaks halfway through, then explodes, then spends the next few minutes trying to pick the original melody back up out of the shrapnel. Once it does, the shakey reassembly of that simple tune layered over the aftershock of its bizarre phase shift is weirdly comforting, like an old friend returned.

This is not a musical convention I’m familiar with, so as I say, it’s kind of exciting. Even in the fairly straightfoward opening track, the key word of the chorus “weather” is chopped into progressively looping chunks, so his voice stutters the length of the word like a backfiring hatchback on a traintrack. His voice is kind of whimpy, too, so it jars compellingly with the gusty things they do with it.

[audio:HotChip-BendablePoseable.mp3]

I get to give you quite a lot to go on if you’re interested in Made In The Dark (which sounds to me like a polite way of saying “ugly”), because although Fluxblog no longer carries Shake A Fist (though his write-up is still great), Last.fm has it to stream, I’ve uploaded Bendable Poseable (my favourite, above), and someone on YouTube has already done precisely what I was going to do: recorded himself Audiosurfing the opening track, Out At The Pictures. “The Pictures” is olde English for cinema.

He’s playing it on a harder mode than I would dare and doing a lot better than I would, but he still screws it up twice. I don’t really like the harder modes of Audiosurf – the stress of getting overwhelmed interrupts your attunement to the song, which for me is the whole point. So I’m glad this dude beat me to it. Thank you, er, LethaLImpuLse? It seems like every time I have to address a YouTube poster by name on James these days I have to precede it with a nervous hesitation.

More