TOM FRANCIS
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I’ve Got Confessions To Make

The silence here lately has been down to a dangerous daily routine of falling asleep in front of Star Trek: The Next Generation, waking up at 5am and playing Prototype until work. Dangerous, but not unpleasant.

Prototype has caused me to break a mouse, and Star Trek has my brain quietly working on a master formula to generate Star Trek plots for Star Trek Online quests, and ways they could interact with a player-chosen crew.

Meanwhile, The Sounds have a new album. It’s nudged them back into the lead as my most-listened artist on last.fm, partly because their songs have a tight neatness to them that allows me to listen to them almost indefinitely without irritation, and partly because until this album, they were unique in never having produced a worthless song. That’s the last one on Crossing the Rubicon, but it’s their best album despite it. Two reasons, one of them is this:

Do you find that some bands just sound like two guitars and some drums? When No-One Sleeps When I’m Awake kicks in, it reminds me that The Sounds are one of the few that don’t. They produce a thick ribbon of undulating noise that your speakers seem happy to belt out, as if they’ve finally got something to sink their drivers’ teeth into.

The other reason is Home Is Where Your Heart Is, but it’s possible I’m just being a big sap about that one.

I see now why most swords extend in only one direction.

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